A KIND OF WINE 03

FEBRUARY 23RD 2025

  • ABOUT THE WINE

    Mendall Alícia Cendra Rosa 2023 is a natural red wine brimming with bright energy and youthful charm. Its aroma unfolds with fresh red fruits—ripe strawberries, juicy cherries, and a delicate floral note. The palate mirrors this vibrancy, offering a light, refreshing sip that captures the pure essence of Garnacha Tinta. Effervescent and easygoing, it’s an effortless choice for relaxed moments.

    The wine comes from 30-year-old vines planted at 350 meters altitude in loamy-clay soil with limestone elements. Organic and biodynamic farming methods ensure a natural balance in the vineyard. In the cellar, the grapes are hand-harvested and macerated with skins for 15 days before undergoing spontaneous fermentation with native yeasts in stainless steel vats. Aging takes place over 9 months in terracotta amphora and an additional 6 months in stainless steel tanks, preserving its fresh, unfiltered character.

    STYLE
    Fruity: Dominated by bright red fruit flavors.
    Young: Emphasizing freshness and vitality over complexity.
    Light: A wine crafted for easy drinking with a smooth, approachable body.

    explore the product here 
  • ABOUT THE LABEL

    The Label is designed by Mirko Borsche. A visionary in the world of graphic design, Mirko Borsche has built a reputation for his bold, thought-provoking visuals that seamlessly blend tradition with modernity. As the founder of Bureau Borsche, he has worked with some of the most influential names in fashion, culture, and media, shaping visual identities that challenge conventions while remaining deeply rooted in storytelling. His approach is defined by an intuitive balance of artistic experimentation and meticulous craftsmanship, qualities that also define the collaboration for this wine label.

    The artwork draws from a rich tapestry of cultural traditions, blending ancient Japanese samurai illustrations with the eerie folklore of the Krampus, while also nodding to the Correfoc tradition of Catalonia—a fiery spectacle deeply tied to the wine’s origins. The label captures the mystical energy of masked beings, monstrous figures wielding weapons, roaming in the shadows, and locked in an epic battle—a metaphor for the relentless pursuit of the perfect wine, from the field to the glass.

    At its core, the two creatures symbolize the essence of this red wine from Terra Alta: powerful, dark, and enigmatic. But beyond their fearsome appearance, they serve a dual purpose—as harbingers of good fortune, warding off evil spirits and ensuring that only the best remains.

  • ABOUT THE WINEYARD


    MENDALL is not just a wine label—it’s a way of life, a family, a vineyard, and a space filled with laughter.

    Laureano Serres Montagut, originally an electronics engineer, began making wine at home in 1999. What started as minimal intervention, first out of inexperience and later out of conviction, became the foundation of his winemaking philosophy. Over the years, this approach naturally led to what we now call natural wine. At MENDALL, the process is simple: we care for the vineyards, let the grapes ferment spontaneously, and accompany the wine until it reaches the bottle. What happens next is up to you.

    Please read below the interview with Alícia Serres Brianzo who is the mastermind of this specific edition.

  • 1. What inspired you to pursue natural winemaking, and how does it align with your personal values?



    It is difficult to say what inspired me to make natural wine. In fact, I don't think I had a moment of inspiration as such, I would say there was a contagion, or several. Winemaking involves many stages and opportunities that allow you to enjoy the plants, the people, the knowledge, the sensory experience, the food, the family, the friends and the wine itself. It was a bit of all that that hooked me, spending time in the countryside, taking care of plants that later give us a fruit that allows you to recognize your work and that of nature, its character. It is wonderful to taste a wine and recognize the flavor of the grape that one day, with the party and the moment that it brings, you harvested with your family. And then not only having the opportunity to show it to the world, but also having people listen to you, appreciate it and take it with love is magic. My father was the one who unintentionally taught me everything that it means to make wine, since I was little. I don't remember anything that made us happier and brought us closer to my family than the grape harvest. Maybe that was my inspiration, a happy memory that I never want to end. Regarding how this world connects with my personal values, I would say that in many ways. Everything that involves the production and sale of natural wine requires effort, energy, joy, understanding, companionship, delicacy, patience, enjoyment and love, and I think that is exactly what I want to forge my values ​​from.


  • 2. Can you describe your approach to vineyard management and how it differs from conventional methods?


    My intention and desire in managing the vineyard is based on respect. We try to take care of our plants as best we can, seeking a balance between vegetation and fruit. We don't go after something we don't have. I would say that we look out for the survival of the vineyard and we collect what it gives us in return.

    In the vineyard, the key is to be on top of the plants, to know the areas where the plants suffer the most, which ones need one pruning or another, earlier or later leaf removal, more or less preventive treatment. We prioritize manual cultural practices and support them with other mechanical ones such as tilling to promote oxygenation and humidity in the land we cultivate. As far as grape health is concerned, in the event of the presence or signs of pathological pests that cannot be combated with cultural practices, products that do not act systemically but through contact such as sulfur and copper are applied, always at times prior to the harvest. Recently, after these years of drought, we have been forced to apply irrigation. We only resort to it when it is strictly necessary, because in order to take care of the vines (in one way or another), they must first be alive.

  • 3. What challenges do you face in natural winemaking, and how do you overcome them?



    There are many challenges, but we face them with strength. The main challenge, I would say, is understanding the changing tastes of consumers. You have to accept that you cannot please everyone all the time, and that you cannot expect to make something that a changing public, influenced by trends, likes. I think that is the biggest challenge, focusing on making what you can in the best way you can, putting effort, enthusiasm, and commitment into it and proudly defending it. It is easy if you believe in what you do. Then, if it is made with the heart and well made (because not everything can be done by desire, you also have to really try to do it well, not offer just anything, but something really good), there will surely be someone who likes it and drinks a bottle. There will surely be someone to whom you will also give a good moment, and the rest, if you always do it with purity, will come on its own.
          That doesn't mean, especially with natural wine, that sometimes undesired taste sensations (not defects, but results of) don't appear on the part of the producer. It happens to us, but we learn from it little by little, we look for other uses for that product that can fit with that different profile. It could also be that other challenge, if despite having made an effort your product hasn't turned out well, to find a place for it where it fits. Natural wine is biologically and chemically alive, but it is also an alcoholic beverage that, due to its alcoholic, phenolic and acidic condition, will be healthy, and that allows us to give it many more lives.

  • 4. How does the unique terroir of your vineyard influence the character of your wines?



    I would say in all ways. In the end, the fact of not adding or removing anything from the must or the wine makes its character depend on the geological, chemical and biological landscape that surrounds it and makes its existence possible. In fact, as I have already mentioned before, I can recognise in the taste and aroma of the wine the flavour of the grape and the soil (literally) from which it comes. There are also smells of the plants that coexist with the vineyard. That is what makes each wine unique, not the producer itself, but where it comes from. And that is why I like to make natural wine, because it is not me, it is the luck of drinking a landscape. That happens with any crop, and it is beautiful. Nature itself is beautiful and damn wise, it already knew everything before we arrived. What we should do is not lose the taste of things, focus our diet on the consumption of good products, products that come from good places and good farmers, because in the end, you are what you eat. That thing about adding and removing and wanting a taste that is not real, like how good everything is already in itself if you just accompany it in its preparation, is precious and we are losing it.

  • 5. How do you balance tradition and innovation in your winemaking process?



    Right now the greatest innovation is to seek out tradition… Let’s say that I admire human beings for their capacity for knowledge and application of it. I love to know things about my product and to be able to make it better and better, but up to a certain point. That is to say, from my point of view, continuous progress is necessary, we must never be satisfied, but we must know how to combine it with respect. I like that there is access to so much innovation in the techniques that we apply in winemaking, but I think that this should be accompanied by prior knowledge. I think that an action, to have moral validity, has to be well justified by whoever applies it, and it seems to me that innovation goes faster than our understanding allows. But I don’t know. It’s hard for me to answer this question because it’s not something I think about very much. I will try to always be up to date with everything that is being discovered, so to speak, and I will apply it or not according to my needs (or those of my product) at that moment. And it may go against tradition, or improve it, or leave it as it is. I don't consider myself an extremist, so I don't want to categorize our wine as something that has to be strictly one way or another, it will simply be what it has to be.

  • 6. What makes the A KIND OF WINE 03 so special?



    Everything. I love and understand all our wines. I always say that when you look back and see the work, the enthusiasm and the desire that there is, it is impossible not to love it. But A KINDE OF GUISE 03 for you and CENDRA ROSA for me is very special for many reasons. The wine is 100% red Grenache, one of the most representative varieties of our region. It is terroir. The grapes were picked very ripe, looking for alcohol and strength, a wine in accordance with the area and its needs. What we were talking about before about trends, now more light and low-alcohol wines are consumed (and therefore sold). But here, due to the climatic conditions that characterize us, we have to look for that higher alcohol content not only as a natural protection of the wine but also because we have to pick the ripe grapes, because that is what this variety requires in this place. My grandfather finds it hard to understand that a red wine has less than 14.5 degrees, because you don't spend the whole year crouching in the vineyard so that when the time comes to pick what has caused so much back pain, it is green. If possible, it is picked as it should be. I think that makes this wine very special, that we were able to pick the ripe grapes. That also caused the fermentation to leave a small remainder of fructose that gives it some sweetness, making it more pleasant to the taste. The amphora ageing and subsequent passage through stainless steel may have left it with a little more volatile acidity that gives freshness to the degree. I like it, and I think I will like it more in a while, because the secret of wine is also time. I sincerely hope that it is a reason for enjoyment.

7. What would you pair A KIND OF WINE 03 with?

 Oh, you'd be surprised at people's tastes. It depends on so many things. But hey, I'd drink this wine with a nice duck à l'orange, and take it easy ;).

EXPLORE THE PRODUCT HERE